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Moni Mohsin interview

 

This interview with Moni Mohsin, author of "The End of Innocence", was first published in May 2006. To find out more about the author, please visit our Moni Mohsin page.

Where were you born and raised?

In Lahore, Pakistan.

What was it that first got you into writing and when did you start writing?

When I moved to live in England in 1996, I was intensely homesick. I yearned for the people, the scents, the sounds, the tastes. Writing was one way of conjuring it up at will and lessening the distance. But I didn’t start my novel till three years later when my daughter was born. I realised that, growing up here, her life would be radically different to mine and hence writing became a way of introducing her to the time and place that had produced me.

Which writers have influenced you the most?

George Eliot, Evelyn Waugh and Kazuo Ishiguro.

Where do you stand on the nature v. nurture debate? Were you born a writer, or were there factors in your environment that enabled you to become a writer?

I was the third of three children. My siblings were both pretty loquacious. By default I became the observer. I also come from a family of gifted mimics. So I suppose that honed my ear and eye. But perhaps I would not have become a writer at all if I had not moved away from home.

There are a lot of courses teaching creative writing nowadays, but do you think that good writing can be taught?

The mechanics of good writing can be taught but if you believe that good writing is more than mere technique then you have to accept that courses have their limitations.

What kind of things do you write?

I’ve written a novel in which I’ve explored the confusion of childhood and the pain of growing up. I’ve also done a fair bit of journalism – mainly features on culture and a long running column in a Pakistani newspaper.

What, for you, is the best piece of prose that you have ever written?

Since I’m the worst judge of my own work, I am loath to venture an opinion.

What are you working on now?

Another novel set, this time, in London.

What is your writing day like?

I drop my kids to school and rush back home to write – with breaks for coffee, a walk, lunch, phone calls, email, admin, groceries, staring out of the window and countless word counts – till it’s time to collect the children. Once they are back, I have no time to write till they go to sleep. And then I’m too shattered to do anything but collapse on the sofa and watch TV.

Where would you like to be in 10 years time?

Can’t say. My ambitions are a moving target.

What’s the most exciting thing about writing for you?

When it flows.

What’s the most frustrating thing about writing for you?

When it doesn’t.

What’s the best piece of feedback that you’ve had from your audience?

They read it at one sitting.

Do you write for a particular audience, or is your first priority to satisfy your own creativity?

I write, first and last, to please myself -- and hope, fervently, that there will be some like-minded people out there

 

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